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private house - recording studio

private house. Rue Square Montsouris, Paris 14

LICENCE_SANS_MAISONS(Récupération).rvt_2

The house was designed for an American couple: he records music, she is a home designer. This house will be their place of residence and of work during their visits to Paris. He needs a recording studio. The recording sessions bring together several musicians and are often festive moments. She needs an office with a large worktop lit with natural, soft light.

With its three floors and its double north / south-west exposure, the house offers this couple a place that meets their desires: a large living room with a dining area as well as a kitchen; second floor is more private with a bedroom and its en-suite bathroom, and thev orth facing owner's office; and the last floor is dedicated to music, with a voice-over booth, recording and relax area, and a large bar. The roof terrace is accessible so it is possible to extend there the festive moments, meetings with musicians, friends.

The north facade has been kept identically: the ground floor and the first floor are classical, the last floor (was probably an artist's studio before), offers a large horizontal bay window. The south-west facade has been redesigned to best meet the new destination of this house. This new facade fits well for a district where Haussmannian buildings and buildings of 1920s are mixed - the Ozenfant house-workshop built by Le Corbusier and Pierre Jeanneret is located in few meters on the same avenue.

The layout of the house has been designed around a central axis: the staircase. It obviously connects different floors, but also structures each of them. The land on which the house is built is not flat - the north facade is lower than the south-west facade - the staircase separates the entrance, from the large living room and the kitchen by a difference in level.

 

From the entrance, the staircase leads to the basement where WC and various technical rooms are installed (laundry room, boiler room, cellar). On the first floor, the staircase separates the large office from the bedroom, on the second it separates the music room from the bar. But this separation

is symbolic. The staircase, in welded metal profiles and fixed to vertical beams at each landing, does not obstruct the view. Thus all the main rooms have a double exposure, including the bedroom: large closet leaves some openings on the staircase and it brings external daylight on the north faced large office desk. The staircase serves also as a skylight, the interior design of the house has been designed to promote and keep in natural light.

 

The preferred materials here are white painted bricks and wood for the interior partitions, glass and white metal for the staircase, again wood and metal, possibly covered with fabric, for the interior furniture. All these materials are very classic for 20th century architecture, and combine modernism and durability, the warmth of some compensating for the coldness of others.

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